Tamir
Karta 

ARTIST STATEMENT

My work lives in the space between structure and dissolution — where digital systems glitch, fold, and reform into something unexpectedly human. I'm drawn to the moment an image stops being a representation and becomes a texture, a frequency, an argument with itself. These three bodies of work each approach that threshold from a different direction.

Series
Interlaced
Interlaced

Signal layered on signal. These pieces explore how digital imagery splices and repeats, borrowing the logic of old broadcast scan lines to ask what gets lost in transmission.

View series
Cubism
Cubism

Fragmented planes reassembled into something more honest than a photograph. A conversation with Braque and Picasso conducted entirely in pixels.

View series
Follow
Follow

Movement traced, then distorted. Works made by following a line until it forgets where it started — documenting the drift as much as the destination.

View series →

Series 01 / 03

Interlaced

Series Statement

The Interlaced series explores digital fragmentation by weaving disparate visual fragments into a unified whole. By manipulating displaced fields and shifting temporal planes, these works capture the tension of an image in flux and the textures of a signal in transition. Each piece suggests a profound elegance in the way individual components break down and reconfigure to form a new, composite reality.

Series 02 / 03

Cubism

Series Statement

The same process applied to everything: faces, bodies, objects — each broken into interlocking planes and dark joining lines, skin and surface given identical structural weight. What changes is the mood the subject brings with it — quiet in a reclining figure, tense in a close portrait, still and golden in a bowl of fruit. Form is built rather than rendered; the joins are left visible, the fragments textured with what they carry. Subject and structure become inseparable.

Series 03 / 03

Follow

Series Statement

Follow documents the act of pursuit — of a line, a form, a thought taken just past the point of recognition. I'm interested in what happens when an image is subjected to its own logic repeatedly: the accumulation of decisions, the drift from the original intention, the way something can become entirely itself only by losing what it was.

About

Tamir
Karta

Bio

Tamir Karta is a digital artist based in [City]. Working at the intersection of painting, collage and computational process, their practice spans figurative and still life subjects — each approached through the same structural language of fragmentation, layered texture and visible construction. [Add exhibitions, collections, background or context here.]

Contact